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"Hedda Gabler" by Ibsen » Essay Topics
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Hedda Forever: An Antiheroine for the Ages
George enters the drawing room with an empty portmanteau and greets his aunt warmly. While on his honeymoon, he had conducted research and filled the suitcase with notes and copies of documents. Berta takes the portmanteau to the attic while George compliments Juliana—whom he calls Aunt Julia—on the new bonnet he helps her remove.
Laughing, his aunt says they will come into use in due time, again hinting at the children he and Hedda will have. Juliana says she has posted security from an annuity for the carpets and furniture—an arrangement of which George was unaware. When George expresses concern that she and Rina need the annuity to live on, Juliana assures him there is nothing to worry about.
Besides, she says, George will soon have a salary to rely on after receiving an expected government appointment. He has recently published a book, but Juliana predicts that it will be nothing compared to the one George plans to publish. When Juliana goes to close it, Hedda tells her simply to draw the curtains to soften the light. When she ends her visit, Juliana gives George a gift—the old slippers he used to wear, embroidered by his Aunt Rina. George remarks on what a prize they are, but Hedda is more interested in the bonnet Juliana had earlier placed on a chair.
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When Juliana claims the bonnet as her own, Hedda feigns an apology, saying she really had not gotten a good look at it. How she has filled out on the journey? Juliana kisses her good-bye and promises to visit her every day. After George returns to the parlor, Hedda looks at the flowers on the piano. An attached card says they are from Mrs. Thea Elvsted, who will call upon the Tesmans later in the day.
George observes that he must have written it before he descended into alcoholism, but Mrs. Elvsted says he wrote it within the last year, when he was tutoring the children. Hedda suggests that George write to him at that moment to invite him to their home. Thea gives him a slip of paper with the address.
While George writes the letter, Hedda and Thea talk about their school days. When Hedda pretends that they had been friends, Mrs. Elvsted reminds Hedda that she once threatened to burn the hair off her head. Hedda makes excuses, then gradually manages to draw information out of Mrs. Elvsted—in particular, that she is not happy with her home and her husband. Thea had first served as governess to Sheriff Elvsted and his invalid wife. After she died, Thea married him. That was five years ago. Thea confides to Hedda her loathing of her husband: "Everything about him is repellent to me!
We have not a thought in common. We have no single point of sympathy—he and I. She has packed her bags and does not plan to return home. Over time, she says, she helped him get over his bad habits. When George brings in the finished letter, Berta announces that Judge Brack has come calling. Hedda gives Berta the letter to mail. After Mrs. Elvsted leaves, Hedda and George exchange pleasantries with Brack. George had thought he was a shoo-in for the job, which he has been counting on as a source of income to maintain his villa and the lifestyle Hedda had been accustomed to as the daughter of General Gabler.
When Judge Brack returns later to pick up George for the party, he comes in the back way through the garden. Hedda takes one of two pistols from a case—heirlooms from her father—and fires playfully into the air, frightening the judge. When the judge asks where George is, Hedda tells him that he went off to visit his aunts shortly after lunch.
Brack enjoys her conversation and delights in flirting with her even though she is a married.
liapanrioozegte.tk For her turn, Hedda likes to confide in the judge. On this day, she tells him that boredom has dogged her since marrying George. After receiving compliments about his book, he dismisses it as insignificant compared to the one he is now completing. Brack then invites Eilert to the party, but he declines the invitation apparently to shun the temptation of drink. Hedda suggests that he have supper with her and another guest who is coming, Mrs. He accepts the invitation, then tells George heartening news: He has withdrawn as a candidate for the government job George seeks.
Tesman is jubilant. He and Hedda will be able to live the life they had planned on. When that ploy fails, she tells Mrs. There, he gets thoroughly drunk. When the party breaks up, it is early in the morning. On the way, George drops back from the others for a moment. Apparently, he dropped it or it fell out of his pocket. George retrieves it but does return it to Eilert because, in his condition, he could lose it again. There are no copies of it.
Hedda gives him a letter from his Aunt Juliana that arrived while he was out. It informs him that his Aunt Rina is on her deathbed. Before leaving to see her, he entrusts the manuscript to Hedda. After George leaves, Judge Brack arrives. He tells Hedda and Mrs. A fight ensued in which both male and female guests took part. After Brack leaves by the garden, Hedda goes to a writing table and takes out the manuscript. The only other person who knows it is in her possession is George. When she is about to begin examining it, she hears a disturbance at the front door. Hedda hurriedly locks the manuscript in a drawer.
Elvsted enters. And too late! It is all over with me.
He says he has destroyed it—torn it into a thousand pieces, along with his life. Thea says he has killed their child. With nothing more left for her, Thea leaves. She withdraws a pistol from the case and gives it to him, the same pistol with which she had once threatened him. She is in mourning for her sister, who has died. George, shocked, asks how she could do such a terrible thing. He has no idea that she is lying. Deeply concerned, she made inquiries at the building where he lodges and discovered that he had not been seen there since the afternoon of the previous day.
Apparently, in the afternoon between 3 and 4, he shot himself in the heart, Brack says. He has had the courage to do—the one right thing. Elvsted says he must have been delirious—just as he probably was when he destroyed his manuscript. She has kept a copy of them with her. Tesman enthusiastically approves of the idea, and he and Thea go into another room to discuss the project. And then—the last great act, with its beauty! Elvsted its sordid details.
A moment later, Hedda withdraws an object from the desk and covers it with sheet music. It is now in the possession of the police. But Judge Brack says they will not discover the owner unless he tells them who it is. Hedda says, "And supposing the pistol was not stolen, and the owner is discovered? What then? Hedda's reputation would be in jeopardy. Hedda then goes to another room and shoots herself in the temple. Free Will vs Environmental Influence.
From the very beginning—even before her marriage to George Tesman—Hedda's failure to act on her primal longings springs in large part from her upbringing in a rigidly conventional, male-dominated society, one that emphasizes propriety and conformacy in women and hinders the free and independent spirit inside of them. But if society stifles her spirit, it does not paralyze it. She yet retains free will. She could be different. She could take risks. Her counterpart and foil, Thea Elvsted, did so, acting decisively to escape her environment.
But Hedda keeps her will in check. To the end, she is her father's child, Hedda Gabler, and never risks becoming anyone else. As the daughter of the late and esteemed General Gabler, Hedda requires a husband with social standing, an elegant home, money, servants, and other amenities stamping her as a refined and respectable aristocrat. However, stirring within her is a desire to live with democratic derring-do—to think and act independently, to take risks.
But she largely represses this desire, preferring to maintain the appearances of propriety and stability instead. A portrait of her decorous father hangs in her home to remind her of the traditional values she is expected to uphold. Scandal might develop; her reputation could suffer. In the end her scheming leads to her own self-destruction.
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When she arrives at the Tesman home after her wedding trip, Hedda begins exercising control over others. First, she orders Berta to remove chintz covers from the furniture in the drawing room. Berta then learns from Juliana Tesman that Hedda had earlier directed that the drawing become the newlyweds' "everyday sitting room. George tells his aunt, "Hedda had to have this trip, Auntie! She really had to.
Nothing else would have done. When she enters the drawing room in Act 1, Hedda immediately orders the curtains drawn over the veranda door to soften the light. She also orders the piano moved to another room because "it doesn't go at all well with all the other things. He cries out, "No, no, no! Don't stand aiming at me!